Movie Reviews

Screwball comedies showcasing couples verbally duking it out in the battle of the sexes comprised a significant and often winning subgenre during the Golden Age of Hollywood. Whether the sparring partners were Gary Cooper and Jean Arthur or William Powell and Carole Lombard, audiences were likely to enjoy every round.

A blending of historical facts and Southern gothic fiction proves unstable in the biographical and literary drama "Wildcat" (Oscilloscope). As a result, director and co-writer Ethan Hawke achieves only mixed results as he seeks to introduce viewers to the life and works of Catholic author Flannery O'Connor.

"We're in the Nazi killing business, and cousin, business is a-boomin'" blithely declares Brad Pitt's character, U.S. Army officer Lt. Aldo Raine, in the 2009 film "Inglourious Basterds." The same might be said by the core cast of the fact-based World War II action comedy "The Ministry of Ungentlemanly Warfare" (Lionsgate).

Behind "We Grown Now" (Sony Pictures Classics), a drama influenced by real-life events, looms the 1992 murder of 7-year-old Dantrell Davis in Chicago’s Cabrini-Green public housing project. The crime had far-reaching consequences.

Moviegoers tempted by a title like "Godzilla x Kong: The New Empire" (Warner Bros.) are presumably not in search of Shakespearian levels of dramatic insight. Even so, the disparity between the reasonably impressive special effects on offer in the film and its low-grade human interaction remains noticeable.

Toward the end of "Ghostbusters: Frozen Empire" (Columbia), the fifth film in a supernatural comedy franchise that dates back to 1984, Bill Murray's Peter Venkman says to a group of other characters, "I knew you had one more dance in ya!" Sadly, a different verdict might have to be rendered about the venerable series itself.

An inspiring but once little-known chapter of history provides the basis for the Holocaust drama "Irena's Vow" (Quiver). The humane basic values of the story could potentially make it appealing for older teens as well as grown-ups. However, a plot development involving an objectively immoral situation requires careful assessment.

The psychological and ethical complexities of front-line journalism are explored in depth in the dystopian drama "Civil War" (A24). The result is an engrossing but distressingly realistic film that's fit for only a relatively small audience of grown viewers.